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The O. Gail Poole Collection

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Me asleep on couch 1.jpg

Remembering O. Gail Poole, My Dad

Personal reflections on the work and life of late Oklahoma Artist O. Gail Poole (1935-2013) by the artist's daughter, Nicole Poole.

O. Gail Poole, Artist, Friend, Old Bradley Boy, by Dr. Jerry Nye

October 17, 2013 Nicole Poole
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Dad had a lifelong band of brothers in "The Bradley Boys." They grew up together, and coming full circle, they arrived, en masse, to visit Dad a few hours before he passed away. Guitar in hand, Dad's longtime hero, EJ, sang long-forgotten folk songs while the rest sat around Dad's bed and tapped their feet to the music. I closed the door of Dad's bedroom to give them privacy, but would've loved to have been a fly on the wall for the stories and moments they shared. The power of their bond was palpable, and they shared an entire lifetime that I know very little about.

One of the Bradley Boys, Dr. Jerry Nye, writes a column called "Matchbook Memories" for the Lindsay News. On Dad's birthday, he sent me what he wrote about him the week after his services in Bradley. His reflections are invaluable and are a glimpse into Dad's life that is little known to the rest of the world.

Thank you, Bradley Boys, for all that you are and all that you have done.

O. GAIL POOLE:  ARTIST, FRIEND, OLD BRADLEY BOY

Lindsay News "Matchbook Memories" by Dr. Jerry Nye

A Celebration of Life for Gail Poole was held in the Bradley Cemetery last Saturday.  Family, friends, and Old Bradley Boys gathered under the large Post Oak tree in the Bradley Cemetery to remember the life and legacy of a talented artist and a memorable friend.

Nicole Poole, Gail’s daughter, began the ceremony by introducing her family and Gail’s artist friends.  Her words showed her love and admiration for her father.  She spoke heart-felt words of thanks to the Bradley people for their support for her and her family in their sorrow.

As I listened to Nicole’s words, I looked at the crowd gathered at the tree.  Nicole was attractive, eloquent, and impressive.  Her mother stood nearby.  Doris was Gail’s ex-wife and great friend, who stayed by his side to help care for him in his last days.  Michael, Nicole’s gentleman friend and staunch supporter, stood close by.  The Old Bradley Boys were present in force.  I could see E.J. Branch, Bill Branch, Bryan Branch, L.B. Hoyle, Alvin Beene, Bill Sinclair, K.O. Selzer, and Jay Mann. The Bradley girls were there too—Ina Hoyle, Joan Branch, Trula Selzer, and Merlene Coon.  Joann and Alvin were in Gail’s Bradley High School graduating class of 1953.  All of us pondered our memories of Gail as the ceremony moved on.

As I spoke my words for Gail, I watched the faces of our friends from long ago.  I was touched by the expressions of love, sadness, happiness, and nostalgic memories that showed on their faces.  After giving a brief history of the Patterson family, I reminisced about our memories of Gail from our school days at Bradley.

I began by talking about Gail’s intelligence.  As the son of a Bradley teacher, Gail was required to study.  His mother, Hazel Patterson Poole Doyle, taught elementary grades at Bradley from 1948 to 1953.  From his earliest memory, Gail knew he was going to college, unlike most of the rest of us who had no plans for college.

When Gail moved to Bradley in the summer of 1948, he had just completed the sixth grade.  I had just completed the ninth grade, but we became friends at once.  I discovered at once that Gail was good in art.  He drew pictures constantly and effortlessly.  His room was filled with crayon and pencil drawings.  I learned that his biological father was an artist.  Even though his father was not present in Gail’s boyhood years, I have often wondered if artists’ talent can be transmitted through the genes.  Whether or not that is possible, Gail was an artist from the start of his life.

When Gail enrolled in college at the University of Oklahoma, he naturally majored in art.  After earning a BFA in Art, Gail established a commercial art studio in Oklahoma City.  After a successful career in the business of commercial art, Gail sold his part of the business and became a fulltime artist.  He became a famous artist, whose work has hung in the Oklahoma State Capitol, in galleries in numerous cities, and in homes of art patrons across the nation.

Unlike many of us who were country boys, Gail wanted to be cool and sophisticated.  Even though he sometimes wore rolled-up jeans and T-shirts, he also had dress clothes: slacks, sport shirts, and two-tone dress shoes.  He listened to pop music instead of country.  I recall sitting in his mother’s 1949 green Ford listening to music.  We heard “Blue Tango” and “Kiss of Fire,” which Gail loved.  I was trying to get him to dial up some Hank and Lefty.  When he went to college, he joined the Sigma Phi Epsilon fraternity, a place where few Bradley boys would have felt at home.

Like me, Gail longed to be an athlete, but neither of us had the size, strength, or skill to play sports.  But, all summer we would play catch and play pepper ball in his yard or my yard.  Oftentimes we would be joined by L.B. Hoyle, who was an excellent baseball player.  I envied Gail because he spent one summer as a bat boy for the Chickasha Chiefs, a Class D team in the Sooner State League.  He knew Al Blackaby, Ivan Wilkinson, and other Chief players.  I longed to have that experience.

In my remarks at the cemetery, I mentioned that Gail was “different” from most of us.  Nicole and several of the Bradley Boys laughed and nodded agreement.  Gail was unconventional in many ways.  He was a liberal free thinker, a questioner, who was ready to debate any issue.  He was a champion of causes, one who, in the words of Robert Frost, took the road less traveled by.  Once he ran for Mayor of Norman on a very liberal platform and received 25 per cent of the vote.  He was a maverick, who enjoyed disturbing the complacent establishment.  When Nicole was choosing the spot to place Gail’s marker among the Patterson  graves in the Bradley Cemetery, Jay Mann and Sonny Mitchusson pointed out a spot at the right end of the graves.  With a twinkle in her eye and a laugh, Nicole said, “No, let’s put his marker at the left end.  He always leaned toward the left in everything he did.”

As I ended my remarks, I talked about Gail as one of the Old Bradley Boys.  I mentioned a remark that L.B. Hoyle made about Gail and many of the Old Bradley Boys.  He said that many of us lost touch with each other as we concentrated on building our careers in our middle years.  Then, as we grew older, we had time to think about our boyhood years in Bradley, to remember our friends from those days, and to develop a longing to recover some of the past that now means so much to us.  In our older years, we have become a “band of brothers,” bound together by our past.

As I ended my remarks, E.J. Branch and Shorty McCaleb played and sang the kind of music Gail had come to love.  As the songs ended, Nicole opened the box containing Gail’s ashes.  She invited anyone who so desired to take a small glass of Gail’s ashes and spread them around the base of the Post Oak tree, as Gail had asked her to do.  As the last of the ashes were spread and the service ended, I felt a sense of peace, knowing that Gail’s wishes had been carried out.

E-mail Jerry Nye at jerrynyej@aol.com or write to 1438 Pine, Weatherford, OK 73096.

In Family Tags Bradley, Bradley Boys, Bradley Cemetery, Dr- Jerry Nye, O. Gail Poole

Happy Birthday, Poole!

September 30, 2013 Nicole Poole
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Today would have been Dad's 78th birthday. Because my perceptions are shaped by my thoughts and moods, today I'm going to celebrate a roaringly fabulous life rather than mope about what I've lost.

Since I was 21 (or thereabouts), it has been a tradition that no matter where I have been in the world, I will face the West and raise a snort of whisky to Dad.  The only thing that changed through the years was the quality of the barrel.  I always called him to share his toast, but this year I guess I'll have to depend on the ether instead of a phone line.

No matter your poison, and no matter, really, whether or not you knew my Dad, I urge you to do the same; face the West, raise a glass, and salute the passions that lie within you.

O. Gail Poole did "not go gentle into that good night," and I believe it's a good reminder for us all to live the hell out of whatever time we have on this strange blue planet.

I'll be heading to a brasserie here in Paris that Dad always insisted I go to but I never bothered with. He never believed I would actually go.  I hope they have whisky.

All best to you all y'all, Nicole

UPDATE: 5:20 P.M., PARIS

For years, Dad demanded I try the lunch at La Charrette*, a brasserie he visited near the Musee d'Orsay in 1999. He really believed I would never go and that made him sad.  So today, I went, and raised a glass of whisky to him before my lunch arrived.  My eyes got leaky and it was a lovely, cinematic, bittersweet moment...and then the food came.

I have never eaten a raw old monkey, but it couldn't be worse than the steak they served me. I'm really glad I had the whisky first.

For those of you who knew my father, you'll recognize this as the "Poole Luck" kicking in. (Somehow our ancestors pissed off the Gods of Comedy.) What's great about it is it made today really special, and I can give a big belly laugh about it rather than being precious.

Over and out.

*From Wikipedia:  "Thought to originate from the École des Beaux-Arts in Paris in the 19th century, the word charrette is from the French for "cart" or "chariot". It was not unusual for student architects to continue working furiously in teams at the end of the allotted term, up until a deadline, when a charrette would be wheeled among the students to pick up their work for review while they, each working furiously to apply the finishing touches, were said to be working en charrette, in the cart. Émile Zola depicted such a scene of feverish activity in L'Œuvre (serialized 1885, published 1886), his fictionalized account of his friendship with Paul Cézanne. Hence, the term metamorphosed into the current design-related usage in conjunction with working right up until a deadline."

In Family Tags Dylan Thomas, Poole, rage rage against the dying of the light, O. Gail Poole

A Family Tradition

July 25, 2013 Nicole Poole
O. Gail Poole "The day my father left. ca1939"

O. Gail Poole "The day my father left. ca1939"

Dad's father, Woodrow Orville "Woodie" Poole was a painter at some point in his life. Dad had a few of his pieces in storage that Grandma apparently hung onto. Mostly landscapes, woodland creatures and a couple of angels. They're all on rough board and look like they could be hanging in a saloon in Deadwood. And surprisingly, they ain't too bad. What's profound to me is that my Grandfather could find materials and take the time to paint in the "Dirty Thirties" of the Dust Bowl.

I don't know the story, but Woodie left when Dad was around 5 years old. For some reason, a photo was taken of Dad on that day, which I only discovered after he died.  The title of this photo is "the day my father left ca1939."

Dad never talked about Grandpa, and I don't believe they ever had a chance to meet.  I wonder if Dad's decision to become a great painter had anything to do with pleasing his own father, if he was just genetically driven to express himself with paint, or a combination of the two. I can guess, but I'll never really know.

As I try to come up with things to write about, for the most part I sit in front of the screen, staring at a blinking cursor that dares me to try to summarize a man's entire life and my own reactions to his loss.

The reason I write this tonight is because a cousin directed me to a website they've put together for the Poole/Sharp family.  It's truthfully the first information I've had on the Poole side of things, other seeing our family name scrawled on the prison walls inside the Tower of London, having vague memories of mention of County Tyrone, Ireland, and knowing we come from Samuel Cephus Pool from South Carolina. (The names alone are worth the visit. Somewhere I have an ancestor named "Verb," and a Great Great Grandmother named Missouri Eddy who was full Choctaw Indian.

Got me to thinking why I don't know anything about an entire side of my family.

Some hurt never heals, I suppose. I hope mine eventually will.

In Family